The notes
- F♯1
- G♭2
- A♭3
- B4
- C♭5
- D♭6
- E♭7
The F♯ locrian scale is F♯, G, A, B, C, D, E.
You may also see it called 1 ♭2 ♭3 4 ♭5 ♭6 ♭7.
On the staff
On a bass staff, the F♯ locrian scale is written F♯ G A B C D E.
This is one octave of the F♯ locrian scale, written on the bass clef. Guitar and bass music is written an octave higher than it sounds, and the small 8 under the clef is the sign for that.
Why the F♯ locrian scale has this sharp
- F♯1
- S
- G♭2
- T
- A♭3
- T
- B4
- S
- C♭5
- T
- D♭6
- T
- E♭7
- T
- F♯8
A scale is a pattern of steps, and this one is S T T S T T T: a semitone, a tone, a tone, and so on. S stands for a semitone, the distance of one fret or one key. T stands for a tone, which is two semitones. The pattern is what gives F♯ locrian its sound, and it stays the same whichever note you start on.
The second rule is that a seven-note scale uses each letter name once, from A to G, so its seven notes take seven different letters. That is why F♯ locrian is spelled the way it is, rather than with whichever accidental looks tidier.
Apart from the tonic, no note needs a sharp or a flat, because every other letter already falls where the pattern needs it.
The F♯ locrian scale is written with F♯. Only the tonic carries an accidental, and that comes from the key you picked rather than from the S T T S T T T pattern of steps.
The pattern of steps is the part of a scale that never changes. The letter names take sharps or flats to fit that pattern, and a key signature is a record of those sharps or flats.
On the piano
The keyboard shows the same seven notes as a shape you can see. The coloured keys are the F♯ locrian scale, and you can click any key to hear it.
F♯ locrian scale on the whole neck
49 notes of the F♯ locrian scale are marked across four strings.
This is every place the notes of the F♯ locrian scale fall on the bass, with each note's name and its scale degree. The roots are marked so you can find your bearings.
Position by position
The F♯ locrian scale has seven playable positions, at frets 2–6, 3–7, 5–9, 7–11, 8–12, 10–14 and 12–16.
Each shape starts on a different degree of the scale and fits inside five frets, so your hand can play all of it without moving.
One climb up the neck
The climb runs from fret 2 to fret 9 and plays fourteen notes.
This is one path from the lowest root to the top of the neck, and it plays each note once, never on two strings. It takes a different number of notes on different strings. The widest stretch on any one string is five frets.