The notes
- F♯1
- G♯2
- A♭3
- B♯♯4
- C♯5
- D♯6
- E♭7
The F♯ dorian ♯4 scale is F♯, G♯, A, B♯, C♯, D♯, E.
You may also see it called Ukrainian dorian · Romanian minor · 1 2 ♭3 ♯4 5 6 ♭7.
On the staff
On a bass staff, the F♯ dorian ♯4 scale is written F♯ G♯ A B♯ C♯ D♯ E.
This is one octave of the F♯ dorian ♯4 scale, written on the bass clef. Guitar and bass music is written an octave higher than it sounds, and the small 8 under the clef is the sign for that.
Why the F♯ dorian ♯4 scale has these sharps
- F♯1
- T
- G♯2
- S
- A♭3
- T+S
- B♯♯4
- S
- C♯5
- T
- D♯6
- S
- E♭7
- T
- F♯8
A scale is a pattern of steps, and this one is T S T+S S T S T: a tone, a semitone, a tone and a half, and so on. S stands for a semitone, the distance of one fret or one key. T stands for a tone, which is two semitones. T+S stands for a tone and a half, which is three semitones. The pattern is what gives F♯ dorian ♯4 its sound, and it stays the same whichever note you start on.
The second rule is that a seven-note scale uses each letter name once, from A to G, so its seven notes take seven different letters. That is why F♯ dorian ♯4 is spelled the way it is, rather than with whichever accidental looks tidier.
Together, the two rules leave no room for choice. If you walk the pattern up from F♯, four letters cannot keep up:
- G♯ — the second. The pattern needs a tone from F♯, but F♯ to G is only a semitone, so G has to rise to G♯.
- B♯ — the sharp fourth. The pattern needs a tone and a half from A, but A to B is only a tone, so B has to rise to B♯.
- C♯ — the fifth. The pattern needs a semitone from B♯, but B♯ to C is only 0, so C has to rise to C♯.
- D♯ — the sixth. The pattern needs a tone from C♯, but C♯ to D is only a semitone, so D has to rise to D♯.
None of those accidentals was a choice. Once you pick the note to start on, the pattern decides the rest, and a key signature is a record of the result.
The F♯ dorian ♯4 scale is written with F♯, G♯, B♯, C♯ and D♯. F♯ has its accidental because that is the key, and the other notes need theirs because the T S T+S S T S T pattern of steps cannot be spelled from F♯ with plain letters.
The pattern of steps is the part of a scale that never changes. The letter names take sharps or flats to fit that pattern, and a key signature is a record of those sharps or flats.
On the piano
The keyboard shows the same seven notes as a shape you can see. The coloured keys are the F♯ dorian ♯4 scale, and you can click any key to hear it.
F♯ dorian ♯4 scale on the whole neck
48 notes of the F♯ dorian ♯4 scale are marked across four strings.
This is every place the notes of the F♯ dorian ♯4 scale fall on the bass, with each note's name and its scale degree. The roots are marked so you can find your bearings.
Position by position
The F♯ dorian ♯4 scale has seven playable positions, at frets 2–6, 4–8, 5–9, 8–12, 9–13, 11–15 and 12–16.
Each shape starts on a different degree of the scale and fits inside five frets, so your hand can play all of it without moving.
One climb up the neck
The climb runs from fret 2 to fret 9 and plays fourteen notes.
This is one path from the lowest root to the top of the neck, and it plays each note once, never on two strings. It takes a different number of notes on different strings. The widest stretch on any one string is four frets.