EmMaj7 on bass

E, G, B and D♯ · minor-major 7th · 3 shapes

The course explains what this page shows in Lesson 13 · Sevenths.

EmMaj7

  1. E1
  2. G♭3
  3. B5
  4. D♯7

EmMaj7 is E, G, B and D♯.

EmMaj7 has four notes, and the bass has four strings to play them on. The rest of this page shows how a hand fits one to the other.

On the staff

EGBD♯

On a bass staff, EmMaj7 is written E, G, B and D♯.

The staff shows the notes one after the other, then together. Written this way the chord is in close position, which means each note sits as near to the one below it as the spelling allows. A guitar almost never plays a chord in close position.

EmMaj7 under a hand

EmMaj7root positionposition 1
57EADG
15♭37C1C2C3

Strummed from the lowest string to the highest, this grip sounds E, B, D♯ and G, which are the degrees 1 5 7 ♭3 rather than the 1 ♭3 5 7 of the written chord. The root is the lowest note, so this grip is in root position and sounds the way the written chord suggests.

Between the strings you sound: P5M3M3

EmMaj7/Bsecond inversionposition 5
5fr51♭37EADG
51♭37C1C2C3C4

Strummed from the lowest string to the highest, this grip sounds B, E, G and D♯, which are the degrees 5 1 ♭3 7 rather than the 1 ♭3 5 7 of the written chord. The lowest note is the 5 rather than the root, so this grip is in second inversion, written EmMaj7/B. It has the same notes as the root-position grip, but with B in the bass it sounds different.

Between the strings you sound: P4m3m6

EmMaj7/D♯third inversionposition 9
9fr7♭351EADG
♭3517C2C3C4

Strummed from the lowest string to the highest, this grip sounds D♯, G, B and E, which are the degrees 7 ♭3 5 1 rather than the 1 ♭3 5 7 of the written chord. The lowest note is the 7 rather than the root, so this grip is in third inversion, written EmMaj7/D♯. It has the same notes as the root-position grip, but with D♯ in the bass it sounds different.

Between the strings you sound: M3M3P4

Three shapes for EmMaj7 on bass: EmMaj7, EmMaj7/B and EmMaj7/D♯.

Every grip here is EmMaj7, but no two of them sound alike. A chord with the root as its lowest note is in root position, and a chord with any other note at the bottom is an inversion. On a keyboard you choose the inversion you want, but on a neck the shape your hand can reach usually decides it for you.

E, G, B and D♯ on the whole neck

EADG1234567891011121314151♭3571♭3571♭3571♭3571♭3571♭3

This diagram marks every E, G, B and D♯ on the first fifteen frets of the bass.

Every grip above is a handful of the notes on this diagram, and none of them uses a note that is not shown here.