The perfect fourth on guitar

P4 · five semitones · inverts to the perfect fifth

The course explains what this page shows in Lesson 6 · The interval.

The perfect fourth

  1. C1
  2. F4

A perfect fourth is five semitones, from C to F. Inverted, with the lower note moved up an octave, it becomes the perfect fifth.

Its short name is P4. Counted in letters, it spans four letter names, which is why it is written C to F rather than with another name for the same pitch.

The perfect fourth on guitar

Along one string — five frets up
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E to A — the same fret
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A to D — the same fret
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D to G — the same fret
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G to B — one fret up
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B to E — the same fret
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E to D, skipping one — five frets back
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A to G, skipping one — five frets back
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D to B, skipping one — four frets back
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G to E, skipping one — four frets back
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On guitar, the perfect fourth is the same fret and one fret up when you cross to the next string, and five frets up along one string.

One pair of strings is the odd one out, because the gap between those two strings is different from the rest. Most players learn that exception as a rule of its own.

On the staff

CF

On a treble staff, the two notes are written C and F.

The staff shows the two notes one after the other, then together. C to F spans four letter names, which is what the interval's name counts. What you hear is a distance of five semitones.

On the keyboard

1CDE4FGAB1CDE4FGAB1CDE4FGAB1CDE4FGAB1CC♯D♯F♯G♯A♯C♯D♯F♯G♯A♯C♯D♯F♯G♯A♯C♯D♯F♯G♯A♯C2C3C4C5C6

A keyboard makes this distance easy to see, where a fretboard hides it. The upper note is five keys along from the lower one, counting black and white keys alike.

C and F on the whole neck

EADGBE123456789101112131415F4C1F4C1F4C1F4C1F4C1F4C1F4C1F4C1F4

24 notes are marked across six strings.

This diagram marks both notes of the perfect fourth, C and F, everywhere they fall on guitar. You can find every pair shown above somewhere on it.

A perfect fourth above every note

FromA perfect fourth up
CF
D♭G♭
DG
E♭A♭
EA
FB♭
F♯B
GC
A♭D♭
AD
B♭E♭
BE

C–F, D♭–G♭, D–G, E♭–A♭, E–A, F–B♭, F♯–B, G–C, A♭–D♭, A–D, B♭–E♭, B–E

The shapes above do not change with the key, which is the reason to learn an interval as a shape. Only the note names change, and this table gives them for every starting note.