E7 on 7-string guitar

E, G♯, B and D · dominant 7th · 4 shapes

The course explains what this page shows in Lesson 13 · Sevenths.

E7

  1. E1
  2. G♯3
  3. B5
  4. D♭7

E7 is E, G♯, B and D.

E7 has four notes, and the 7-string guitar has seven strings to play them on. The rest of this page shows how a hand fits one to the other.

On the staff

EG♯BD

On a treble staff, E7 is written E, G♯, B and D.

The staff shows the notes one after the other, then together. Written this way the chord is in close position, which means each note sits as near to the one below it as the spelling allows. A guitar almost never plays a chord in close position.

E7 under a hand

E7root positionposition 5
5fr15♭73♭71BEADGBE
15♭7♭713C2C3C4C5

Strummed from the lowest string to the highest, this grip sounds E, B, D, G♯, D and E, which are the degrees 1 5 ♭7 3 ♭7 1 rather than the 1 3 5 ♭7 of the written chord. The root is the lowest note, so this grip is in root position and sounds the way the written chord suggests. With E in the bass and six strings sounding four notes, the 1 and ♭7 appear more than once.

Between the strings you sound: P5m3TTTTM2

E7/G♯first inversionposition 7
7fr3515♭735BEADGBE
515♭7533C2C3C4C5

Strummed from the lowest string to the highest, this grip sounds G♯, B, E, B, D, G♯ and B, which are the degrees 3 5 1 5 ♭7 3 5 rather than the 1 3 5 ♭7 of the written chord. The lowest note is the 3 rather than the root, so this grip is in first inversion, written E7/G♯. It has the same notes as the root-position grip, but with G♯ in the bass it sounds different. With G♯ in the bass and seven strings sounding four notes, the 3 and 5 appear more than once.

Between the strings you sound: m3P4P5m3TTm3

E7/Bsecond inversionposition 1
53BEADGBE
515♭7513C1C2C3C4C5

Strummed from the lowest string to the highest, this grip sounds B, E, B, D, G♯, B and E, which are the degrees 5 1 5 ♭7 3 5 1 rather than the 1 3 5 ♭7 of the written chord. The lowest note is the 5 rather than the root, so this grip is in second inversion, written E7/B. It has the same notes as the root-position grip, but with B in the bass it sounds different. With B in the bass and seven strings sounding four notes, the 1 and 5 appear more than once.

Between the strings you sound: P4P5m3TTm3P4

E7/Dthird inversionposition 10
10fr♭73♭751BEADGBE
♭7♭7513C3C4C5C6

Strummed from the lowest string to the highest, this grip sounds D, G♯, D, B and E, which are the degrees ♭7 3 ♭7 5 1 rather than the 1 3 5 ♭7 of the written chord. The lowest note is the ♭7 rather than the root, so this grip is in third inversion, written E7/D. It has the same notes as the root-position grip, but with D in the bass it sounds different. With D in the bass and five strings sounding four notes, the ♭7 appears more than once.

Between the strings you sound: TTTTM6P4

Four shapes for E7 on 7-string guitar: E7, E7/G♯, E7/B and E7/D.

Every grip here is E7, but no two of them sound alike. A chord with the root as its lowest note is in root position, and a chord with any other note at the bottom is an inversion. On a keyboard you choose the inversion you want, but on a neck the shape your hand can reach usually decides it for you. When a grip sounds a note more than once, the fretting hand decides which note that is, not the harmony.

E, G♯, B and D on the whole neck

BEADGBE1234567891011121314155♭7135♭7135♭715♭7135♭7135♭7135♭7135♭7135♭7135♭71

This diagram marks every E, G♯, B and D on the first fifteen frets of the 7-string guitar.

Every grip above is a handful of the notes on this diagram, and none of them uses a note that is not shown here.

Where E7 comes from

E7 is a chord of F♯ natural minor and A major.

A chord does not belong to a single key. Each major or natural minor key listed here contains every note of E7, which is why the same grip turns up in songs that otherwise have little in common.