C9 on guitar

C, E, G, B♭ and D · dominant 9th · 4 shapes

The course explains what this page shows in Lesson 13 · Sevenths.

C9

  1. C1
  2. E3
  3. G5
  4. B♭♭7
  5. D2

C9 is C, E, G, B♭ and D.

C9 has five notes, and the guitar has six strings to play them on. The rest of this page shows how a hand fits one to the other.

On the staff

CEGB♭D

On a treble staff, C9 is written C, E, G, B♭ and D.

The staff shows the notes one after the other, then together. Written this way the chord is in close position, which means each note sits as near to the one below it as the spelling allows. A guitar almost never plays a chord in close position.

C9 under a hand

C9root positionposition 7
7fr13♭7951EADGBE
13951♭7C3C4C5

Strummed from the lowest string to the highest, this grip sounds C, E, B♭, D, G and C, which are the degrees 1 3 ♭7 9 5 1 rather than the 1 3 5 ♭7 2 of the written chord. The root is the lowest note, so this grip is in root position and sounds the way the written chord suggests. With C in the bass and six strings sounding five notes, the 1 appears more than once.

Between the strings you sound: M3TTM3P4P4

C9/Efirst inversionposition 1
♭71EADGBE
39513♭7C2C3C4C5

Strummed from the lowest string to the highest, this grip sounds E, B♭, D, G, C and E, which are the degrees 3 ♭7 9 5 1 3 rather than the 1 3 5 ♭7 2 of the written chord. The lowest note is the 3 rather than the root, so this grip is in first inversion, written C9/E. It has the same notes as the root-position grip, but with E in the bass it sounds different. With E in the bass and six strings sounding five notes, the 3 appears more than once.

Between the strings you sound: TTM3P4P4M3

C9/B♭third inversionposition 5
5fr♭79513♭7EADGBE
9513♭7♭7C2C3C4C5

Strummed from the lowest string to the highest, this grip sounds B♭, D, G, C, E and B♭, which are the degrees ♭7 9 5 1 3 ♭7 rather than the 1 3 5 ♭7 2 of the written chord. The lowest note is the ♭7 rather than the root, so this grip is in third inversion, written C9/B♭. It has the same notes as the root-position grip, but with B♭ in the bass it sounds different. With B♭ in the bass and six strings sounding five notes, the ♭7 appears more than once.

Between the strings you sound: M3P4P4M3TT

C9/Dinversion 4position 8
8fr95♭7351EADGBE
95351♭7C3C4C5

Strummed from the lowest string to the highest, this grip sounds D, G, B♭, E, G and C, which are the degrees 9 5 ♭7 3 5 1 rather than the 1 3 5 ♭7 2 of the written chord. The lowest note is the 9 rather than the root, so this grip is in inversion 4, written C9/D. It has the same notes as the root-position grip, but with D in the bass it sounds different. With D in the bass and six strings sounding five notes, the 5 appears more than once.

Between the strings you sound: P4m3TTm3P4

Four shapes for C9 on guitar: C9, C9/E, C9/B♭ and C9/D.

Every grip here is C9, but no two of them sound alike. A chord with the root as its lowest note is in root position, and a chord with any other note at the bottom is an inversion. On a keyboard you choose the inversion you want, but on a neck the shape your hand can reach usually decides it for you. When a grip sounds a note more than once, the fretting hand decides which note that is, not the harmony.

C, E, G, B♭ and D on the whole neck

EADGBE12345678910111213141535♭71235♭71235♭71235♭71235♭71235♭71235♭71235♭71235

This diagram marks every C, E, G, B♭ and D on the first fifteen frets of the guitar.

Every grip above is a handful of the notes on this diagram, and none of them uses a note that is not shown here.

Where C9 comes from

C9 is a chord of D natural minor and F major.

A chord does not belong to a single key. Each major or natural minor key listed here contains every note of C9, which is why the same grip turns up in songs that otherwise have little in common.

The words on this page were written with the help of AI and may contain a mistake. Its diagrams are drawn by Everyfret’s own software. How Everyfret is made