B13 on drop D guitar

B, D♯, F♯, A, C♯ and G♯ · dominant 13th · 6 shapes

The course explains what this page shows in Lesson 13 · Sevenths.

B13

  1. B1
  2. D♯3
  3. F♯5
  4. A♭7
  5. C♯2
  6. G♯6

B13 is B, D♯, F♯, A, C♯ and G♯.

B13 has six notes, and the drop D guitar has six strings to play them on. The rest of this page shows how a hand fits one to the other.

On the staff

BD♯F♯AC♯G♯

On a treble staff, B13 is written B, D♯, F♯, A, C♯ and G♯.

The staff shows the notes one after the other, then together. Written this way the chord is in close position, which means each note sits as near to the one below it as the spelling allows. A guitar almost never plays a chord in close position.

B13 under a hand

B13root positionposition 9
9fr11395♭73DADGBE
1♭713953C2C3C4C5C6

Strummed from the lowest string to the highest, this grip sounds B, G♯, C♯, F♯, A and D♯, which are the degrees 1 13 9 5 ♭7 3 rather than the 1 3 5 ♭7 2 6 of the written chord. The root is the lowest note, so this grip is in root position and sounds the way the written chord suggests.

Between the strings you sound: M6P4P4m3TT

B13/D♯first inversionposition 1
3313DADGBE
♭713313C2C3C4

Strummed from the lowest string to the highest, this grip sounds D♯, A, D♯, G♯ and B, which are the degrees 3 ♭7 3 13 1 rather than the 1 3 5 ♭7 2 6 of the written chord. The lowest note is the 3 rather than the root, so this grip is in first inversion, written B13/D♯. It has the same notes as the root-position grip, but with D♯ in the bass it sounds different. With D♯ in the bass and five strings sounding six notes, the 3 appears more than once. The 5 and 9 is left out altogether. A seventh chord gives up its fifth first, because the fifth adds the least to the chord's sound.

Between the strings you sound: TTTTP4m3

B13/F♯second inversionposition 2
2fr515♭7313DADGBE
1♭755313C2C3C4C5

Strummed from the lowest string to the highest, this grip sounds F♯, B, F♯, A, D♯ and G♯, which are the degrees 5 1 5 ♭7 3 13 rather than the 1 3 5 ♭7 2 6 of the written chord. The lowest note is the 5 rather than the root, so this grip is in second inversion, written B13/F♯. It has the same notes as the root-position grip, but with F♯ in the bass it sounds different. With F♯ in the bass and six strings sounding six notes, the 5 appears more than once. The 9 is left out altogether. A seventh chord gives up its fifth first, because the fifth adds the least to the chord's sound.

Between the strings you sound: P4P5m3TTP4

B13/Athird inversionposition 7
7fr♭7513139DADGBE
♭7153139C2C3C4C5C6

Strummed from the lowest string to the highest, this grip sounds A, F♯, B, D♯, G♯ and C♯, which are the degrees ♭7 5 1 3 13 9 rather than the 1 3 5 ♭7 2 6 of the written chord. The lowest note is the ♭7 rather than the root, so this grip is in third inversion, written B13/A. It has the same notes as the root-position grip, but with A in the bass it sounds different.

Between the strings you sound: M6P4M3P4P4

B13/C♯inversion 4position 11
11fr9♭791313DADGBE
♭7199133C3C4C5C6

Strummed from the lowest string to the highest, this grip sounds C♯, A, C♯, G♯, B and D♯, which are the degrees 9 ♭7 9 13 1 3 rather than the 1 3 5 ♭7 2 6 of the written chord. The lowest note is the 9 rather than the root, so this grip is in inversion 4, written B13/C♯. It has the same notes as the root-position grip, but with C♯ in the bass it sounds different. With C♯ in the bass and six strings sounding six notes, the 9 appears more than once. The 5 is left out altogether. A seventh chord gives up its fifth first, because the fifth adds the least to the chord's sound.

Between the strings you sound: m6M3P5m3M3

B13/G♯inversion 5position 6
6fr133♭7951DADGBE
♭7113395C2C3C4C5

Strummed from the lowest string to the highest, this grip sounds G♯, D♯, A, C♯, F♯ and B, which are the degrees 13 3 ♭7 9 5 1 rather than the 1 3 5 ♭7 2 6 of the written chord. The lowest note is the 13 rather than the root, so this grip is in inversion 5, written B13/G♯. It has the same notes as the root-position grip, but with G♯ in the bass it sounds different.

Between the strings you sound: P5TTM3P4P4

Six shapes for B13 on drop D guitar: B13, B13/D♯, B13/F♯, B13/A, B13/C♯ and B13/G♯.

Every grip here is B13, but no two of them sound alike. A chord with the root as its lowest note is in root position, and a chord with any other note at the bottom is an inversion. On a keyboard you choose the inversion you want, but on a neck the shape your hand can reach usually decides it for you. When a grip sounds a note more than once, the fretting hand decides which note that is, not the harmony.

B, D♯, F♯, A, C♯ and G♯ on the whole neck

DADGBE123456789101112131415356♭7123♭712356♭71356♭71236♭712356♭712356♭71256♭71235

This diagram marks every B, D♯, F♯, A, C♯ and G♯ on the first fifteen frets of the drop D guitar.

Every grip above is a handful of the notes on this diagram, and none of them uses a note that is not shown here.

The words on this page were written with the help of AI and may contain a mistake. Its diagrams are drawn by Everyfret’s own software. How Everyfret is made