E♭ minor-major 7th arpeggio on bass

E♭ · G♭ · B♭ · D

The course explains what this page shows in Lesson 13 · Sevenths.

The notes

  1. E♭1
  2. G♭♭3
  3. B♭5
  4. D7

The E♭ minor-major 7th arpeggio is E♭, G♭, B♭, D.

You may also see it called 1 ♭3 5 7.

On the staff

E♭FG♭A♭B♭C♭DE♭

On a bass staff, the E♭ minor-major 7th arpeggio is written E♭ G♭ B♭ D.

The solid notes are the E♭ minor-major 7th arpeggio. The pale notes are the rest of E♭ harmonic minor, the larger scale it is carved out of, so you can see which notes it leaves out.

Why the E♭ minor-major 7th arpeggio has these flats

  1. E♭1
  2. T+S
  3. G♭♭3
  4. 4
  5. B♭5
  6. 4
  7. D7
  8. S
  9. E♭8

A scale is a pattern of steps, and this one is T+S 4 4 S: a tone and a half, 4, 4, and so on. S stands for a semitone, the distance of one fret or one key. T+S stands for a tone and a half, which is three semitones. 4 stands for a step of four semitones. The pattern is what gives E♭ minor-major 7th its sound, and it stays the same whichever note you start on.

This scale has only four notes, so it does not use every letter. It is built on E♭ harmonic minor, and the notes it shares are spelled the same way as they are there.

The pattern still does not fit the plain letters. If you walk the pattern up from E♭, two letters cannot keep up:

  • G♭ — the flat third. The pattern needs a tone and a half from E♭, but E♭ to G is only 4, so G has to fall to G♭.
  • B♭ — the fifth. The pattern needs 4 from G♭, but G♭ to B is only 5, so B has to fall to B♭.

None of those accidentals was a choice. Once you pick the note to start on, the pattern decides the rest, and a key signature is a record of the result.

The E♭ minor-major 7th arpeggio is written with E♭, G♭ and B♭. E♭ has its accidental because that is the key, and the other notes need theirs because the T+S 4 4 S pattern of steps cannot be spelled from E♭ with plain letters.

The pattern of steps is the part of a scale that never changes. The letter names take sharps or flats to fit that pattern, and a key signature is a record of those sharps or flats.

On the piano

C7DE2FGA♭6C♭C7DE2FGA♭6C♭C7DE2FGA♭6C♭CC♯1E♭♭3G♭4A♭5B♭C♯1E♭♭3G♭4A♭5B♭C♯1E♭♭3G♭4A♭5B♭C1C2C3C4

The keyboard shows the same four notes as a shape you can see. The coloured keys are the E♭ minor-major 7th arpeggio, the pale keys are the rest of E♭ harmonic minor, and you can click any key to hear it.

E♭ minor-major 7th arpeggio on the whole neck

EADG123456789101112131415G♭♭3B♭5D7E♭1G♭♭3B♭5D7E♭1G♭♭3B♭5D7E♭1G♭♭3B♭5D7E♭1B♭5D7E♭1G♭♭3B♭5

28 notes of the E♭ minor-major 7th arpeggio are marked across four strings.

This is every place the notes of the E♭ minor-major 7th arpeggio fall on the bass, with each note's name and its scale degree. The roots are marked so you can find your bearings.

Position by position

Position 1 — starts on the ♭3
EADG234567♭3571♭35
Position 2 — starts on the 5
EADG67891011571♭3571
Position 3 — starts on the 7
EADG10111213141571♭3571♭3
Position 4 — starts on the 1
EADG1112131415161♭3571♭35

The E♭ minor-major 7th arpeggio has four playable positions, at frets 2–6, 6–10, 10–14 and 11–15.

Each shape starts on a different degree of the scale and fits inside five frets, so your hand can play all of it without moving.

One climb up the neck

EADG111213141516171819201♭3571♭3571TAB111413171816201920

The climb runs from fret 11 to fret 20 and plays nine notes.

This is one path from the lowest root to the top of the neck, and it plays each note once, never on two strings. It takes a different number of notes on different strings. The widest stretch on any one string is five frets.