E♭ altered diminished scale on 6-string bass

E♭ · F♭ · G♭ · A𝄫 · B𝄫 · C♭ · D𝄫

The course explains what this page shows in Lesson 24 · Modes.

The notes

  1. E♭1
  2. F♭♭2
  3. G♭♭3
  4. A𝄫♭4
  5. B𝄫♭5
  6. C♭♭6
  7. D𝄫♭♭7

The E♭ altered diminished scale is E♭, F♭, G♭, A𝄫, B𝄫, C♭, D𝄫.

You may also see it called Ultralocrian · Super Locrian ♭♭7 · 1 ♭2 ♭3 ♭4 ♭5 ♭6 ♭♭7.

On the staff

E♭F♭G♭A𝄫B𝄫C♭D𝄫E♭

On a bass staff, the E♭ altered diminished scale is written E♭ F♭ G♭ A𝄫 B𝄫 C♭ D𝄫.

This is one octave of the E♭ altered diminished scale, written on the bass clef. Guitar and bass music is written an octave higher than it sounds, and the small 8 under the clef is the sign for that.

Why the E♭ altered diminished scale has these flats

  1. E♭1
  2. S
  3. F♭♭2
  4. T
  5. G♭♭3
  6. S
  7. A𝄫♭4
  8. T
  9. B𝄫♭5
  10. T
  11. C♭♭6
  12. S
  13. D𝄫♭♭7
  14. T+S
  15. E♭8

A scale is a pattern of steps, and this one is S T S T T S T+S: a semitone, a tone, a semitone, and so on. S stands for a semitone, the distance of one fret or one key. T stands for a tone, which is two semitones. T+S stands for a tone and a half, which is three semitones. The pattern is what gives E♭ altered diminished its sound, and it stays the same whichever note you start on.

The second rule is that a seven-note scale uses each letter name once, from A to G, so its seven notes take seven different letters. That is why E♭ altered diminished is spelled the way it is, rather than with whichever accidental looks tidier.

Together, the two rules leave no room for choice. If you walk the pattern up from E♭, six letters cannot keep up:

  • F♭ — the flat second. The pattern needs a semitone from E♭, but E♭ to F is only a tone, so F has to fall to F♭.
  • G♭ — the flat third. The pattern needs a tone from F♭, but F♭ to G is only a tone and a half, so G has to fall to G♭.
  • A𝄫 — the flat fourth. The pattern needs a semitone from G♭, but G♭ to A is only a tone and a half, so A has to fall to A𝄫.
  • B𝄫 — the flat fifth. The pattern needs a tone from A𝄫, but A𝄫 to B is only 4, so B has to fall to B𝄫.
  • C♭ — the flat sixth. The pattern needs a tone from B𝄫, but B𝄫 to C is only a tone and a half, so C has to fall to C♭.
  • D𝄫 — the seventh. The pattern needs a semitone from C♭, but C♭ to D is only a tone and a half, so D has to fall to D𝄫.

None of those accidentals was a choice. Once you pick the note to start on, the pattern decides the rest, and a key signature is a record of the result.

The E♭ altered diminished scale is written with E♭, F♭, G♭, A𝄫, B𝄫, C♭ and D𝄫. E♭ has its accidental because that is the key, and the other notes need theirs because the S T S T T S T+S pattern of steps cannot be spelled from E♭ with plain letters.

The pattern of steps is the part of a scale that never changes. The letter names take sharps or flats to fit that pattern, and a key signature is a record of those sharps or flats.

On the piano

♭♭7D𝄫D♭2F♭F♭4A𝄫♭5B𝄫♭6C♭♭♭7D𝄫D♭2F♭F♭4A𝄫♭5B𝄫♭6C♭♭♭7D𝄫D♭2F♭F♭4A𝄫♭5B𝄫♭6C♭♭♭7D𝄫D♭2F♭F♭4A𝄫♭5B𝄫♭6C♭♭♭7D𝄫D♭2F♭F♭4A𝄫♭5B𝄫♭6C♭♭♭7D𝄫C♯1E♭♭3G♭G♯A♯C♯1E♭♭3G♭G♯A♯C♯1E♭♭3G♭G♯A♯C♯1E♭♭3G♭G♯A♯C♯1E♭♭3G♭G♯A♯C0C1C2C3C4C5

The keyboard shows the same seven notes as a shape you can see. The coloured keys are the E♭ altered diminished scale, and you can click any key to hear it.

E♭ altered diminished scale on the whole neck

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89 notes of the E♭ altered diminished scale are marked across six strings.

This is every place the notes of the E♭ altered diminished scale fall on the 6-string bass, with each note's name and its scale degree. The roots are marked so you can find your bearings.

Position by position

Position 1 — starts on the ♭♭7
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Position 2 — starts on the 1
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Position 3 — starts on the ♭2
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Position 4 — starts on the ♭3
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Position 5 — starts on the ♭4
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Position 6 — starts on the ♭5
BEADGC101112131415♭5♭6♭♭71♭2♭3♭4♭5♭6♭♭71♭2♭3♭4♭5♭6♭♭7
Position 7 — starts on the ♭6
BEADGC121314151617♭6♭♭71♭2♭3♭4♭5♭6♭♭71♭2♭3♭4♭5♭6♭♭71♭2

The E♭ altered diminished scale has seven playable positions, at frets 1–5, 4–8, 5–9, 7–11, 8–12, 10–14 and 12–16.

Each shape starts on a different degree of the scale and fits inside five frets, so your hand can play all of it without moving.

One climb up the neck

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The climb runs from fret 4 to fret 12 and plays 21 notes.

This is one path from the lowest root to the top of the neck, and it plays each note once, never on two strings. It takes a different number of notes on different strings. The widest stretch on any one string is four frets.