The notes
- A♭1
- B𝄫♭2
- C♭♭3
- D♭4
- E𝄫♭5
- F6
- G♭♭7
The A♭ locrian ♮6 scale is A♭, B𝄫, C♭, D♭, E𝄫, F, G♭.
You may also see it called Locrian ♯6 · 1 ♭2 ♭3 4 ♭5 6 ♭7.
On the staff
On a treble staff, the A♭ locrian ♮6 scale is written A♭ B𝄫 C♭ D♭ E𝄫 F G♭.
This is one octave of the A♭ locrian ♮6 scale, written on the treble clef. Guitar and bass music is written an octave higher than it sounds, and the small 8 under the clef is the sign for that.
Why the A♭ locrian ♮6 scale has these flats
- A♭1
- S
- B𝄫♭2
- T
- C♭♭3
- T
- D♭4
- S
- E𝄫♭5
- T+S
- F6
- S
- G♭♭7
- T
- A♭8
A scale is a pattern of steps, and this one is S T T S T+S S T: a semitone, a tone, a tone, and so on. S stands for a semitone, the distance of one fret or one key. T stands for a tone, which is two semitones. T+S stands for a tone and a half, which is three semitones. The pattern is what gives A♭ locrian ♮6 its sound, and it stays the same whichever note you start on.
The second rule is that a seven-note scale uses each letter name once, from A to G, so its seven notes take seven different letters. That is why A♭ locrian ♮6 is spelled the way it is, rather than with whichever accidental looks tidier.
Together, the two rules leave no room for choice. If you walk the pattern up from A♭, five letters cannot keep up:
- B𝄫 — the flat second. The pattern needs a semitone from A♭, but A♭ to B is only a tone and a half, so B has to fall to B𝄫.
- C♭ — the flat third. The pattern needs a tone from B𝄫, but B𝄫 to C is only a tone and a half, so C has to fall to C♭.
- D♭ — the fourth. The pattern needs a tone from C♭, but C♭ to D is only a tone and a half, so D has to fall to D♭.
- E𝄫 — the flat fifth. The pattern needs a semitone from D♭, but D♭ to E is only a tone and a half, so E has to fall to E𝄫.
- G♭ — the flat seventh. The pattern needs a semitone from F, but F to G is only a tone, so G has to fall to G♭.
None of those accidentals was a choice. Once you pick the note to start on, the pattern decides the rest, and a key signature is a record of the result.
The A♭ locrian ♮6 scale is written with A♭, B𝄫, C♭, D♭, E𝄫 and G♭. A♭ has its accidental because that is the key, and the other notes need theirs because the S T T S T+S S T pattern of steps cannot be spelled from A♭ with plain letters.
The pattern of steps is the part of a scale that never changes. The letter names take sharps or flats to fit that pattern, and a key signature is a record of those sharps or flats.
On the piano
The keyboard shows the same seven notes as a shape you can see. The coloured keys are the A♭ locrian ♮6 scale, and you can click any key to hear it.
A♭ locrian ♮6 scale on the whole neck
36 notes of the A♭ locrian ♮6 scale are marked across four strings.
This is every place the notes of the A♭ locrian ♮6 scale fall on the ukulele, with each note's name and its scale degree. The roots are marked so you can find your bearings.
Position by position
The A♭ locrian ♮6 scale has seven playable positions, at frets 1–5, 2–6, 4–8, 6–10, 7–11, 10–14 and 11–15.
Each shape starts on a different degree of the scale and fits inside five frets, so your hand can play all of it without moving.
One climb up the neck
The climb runs from fret 1 to fret 9 and plays fourteen notes.
This is one path from the lowest root to the top of the neck, and it plays each note once, never on two strings. It takes a different number of notes on different strings. The widest stretch on any one string is five frets.