B°7 on 8-string guitar

B, D, F and A♭ · diminished 7th · 4 shapes

The course explains what this page shows in Lesson 13 · Sevenths.

B°7

  1. B1
  2. D♭3
  3. F♭5
  4. A♭♭♭7

B°7 is B, D, F and A♭.

B°7 has four notes, and the 8-string guitar has eight strings to play them on. The rest of this page shows how a hand fits one to the other.

On the staff

BDFA♭

On a treble staff, B°7 is written B, D, F and A♭.

The staff shows the notes one after the other, then together. Written this way the chord is in close position, which means each note sits as near to the one below it as the spelling allows. A guitar almost never plays a chord in close position.

B°7 under a hand

B°7root positionposition 1
♭5♭♭7♭5F♯BEADGBE
1♭5♭31♭5♭♭7C1C2C3C4C5

Strummed from the lowest string to the highest, this grip sounds B, F, D, A♭, B and F, which are the degrees 1 ♭5 ♭3 ♭♭7 1 ♭5 rather than the 1 ♭3 ♭5 ♭♭7 of the written chord. The root is the lowest note, so this grip is in root position and sounds the way the written chord suggests. With B in the bass and six strings sounding four notes, the 1 and ♭5 appear more than once.

Between the strings you sound: TTM6TTm3TT

B°7/Dfirst inversionposition 3
3fr♭3♭♭7♭3♭51♭3F♯BEADGBE
♭3♭3♭51♭3♭♭7C2C3C4C5

Strummed from the lowest string to the highest, this grip sounds D, A♭, D, F, B and D, which are the degrees ♭3 ♭♭7 ♭3 ♭5 1 ♭3 rather than the 1 ♭3 ♭5 ♭♭7 of the written chord. The lowest note is the ♭3 rather than the root, so this grip is in first inversion, written B°7/D. It has the same notes as the root-position grip, but with D in the bass it sounds different. With D in the bass and six strings sounding four notes, the ♭3 appears more than once.

Between the strings you sound: TTTTm3TTm3

B°7/Fsecond inversionposition 6
6fr♭51♭5♭♭7♭3♭5F♯BEADGBE
♭51♭5♭3♭5♭♭7C2C3C4C5

Strummed from the lowest string to the highest, this grip sounds F, B, F, A♭, D and F, which are the degrees ♭5 1 ♭5 ♭♭7 ♭3 ♭5 rather than the 1 ♭3 ♭5 ♭♭7 of the written chord. The lowest note is the ♭5 rather than the root, so this grip is in second inversion, written B°7/F. It has the same notes as the root-position grip, but with F in the bass it sounds different. With F in the bass and six strings sounding four notes, the ♭5 appears more than once.

Between the strings you sound: TTTTm3TTm3

B°7/A♭third inversionposition 4
4fr♭♭7♭3♭♭71♭5♭♭7F♯BEADGBE
♭31♭5♭♭7♭♭7♭♭7C2C3C4C5

Strummed from the lowest string to the highest, this grip sounds A♭, D, A♭, B, F and A♭, which are the degrees ♭♭7 ♭3 ♭♭7 1 ♭5 ♭♭7 rather than the 1 ♭3 ♭5 ♭♭7 of the written chord. The lowest note is the ♭♭7 rather than the root, so this grip is in third inversion, written B°7/A♭. It has the same notes as the root-position grip, but with A♭ in the bass it sounds different. With A♭ in the bass and six strings sounding four notes, the ♭♭7 appears more than once.

Between the strings you sound: TTTTm3TTm3

Four shapes for B°7 on 8-string guitar: B°7, B°7/D, B°7/F and B°7/A♭.

Every grip here is B°7, but no two of them sound alike. A chord with the root as its lowest note is in root position, and a chord with any other note at the bottom is an inversion. On a keyboard you choose the inversion you want, but on a neck the shape your hand can reach usually decides it for you. When a grip sounds a note more than once, the fretting hand decides which note that is, not the harmony.

B, D, F and A♭ on the whole neck

F♯BEADGBE123456789101112131415♭♭71♭3♭5♭♭71♭3♭5♭♭71♭3♭5♭♭71♭3♭51♭3♭5♭♭71♭3♭5♭♭71♭3♭5♭♭71♭3♭5♭♭71♭3♭5♭♭71♭3♭5♭♭71♭3♭5

This diagram marks every B, D, F and A♭ on the first fifteen frets of the 8-string guitar.

Every grip above is a handful of the notes on this diagram, and none of them uses a note that is not shown here.