F Major 7th Arpeggio — DADGAD Guitar

The notes

The F major 7th arpeggio is F, A, C, E.

You may also see it called 1 3 5 7.

On the staff

On a treble staff, the F major 7th arpeggio is written F A C E.

The solid notes are the F major 7th arpeggio. The pale notes are the rest of F major, the larger scale it is carved out of, so you can see which notes it leaves out.

Why the F major 7th arpeggio has no sharps or flats

A scale is a pattern of steps, and this one is 4 T+S 4 S: 4, a tone and a half, 4, and so on. S stands for a semitone, the distance of one fret or one key. T+S stands for a tone and a half, which is three semitones. 4 stands for a step of four semitones. The pattern is what gives F major 7th its sound, and it stays the same whichever note you start on.

This scale has only four notes, so it does not use every letter. It is F major with some notes taken out, and it keeps that scale's spelling exactly.

Every letter already falls where the pattern needs it, so F major 7th is written with no sharps or flats at all.

The F major 7th arpeggio needs no sharps or flats, because every letter already falls where the 4 T+S 4 S pattern of steps needs it.

The pattern of steps is the part of a scale that never changes. The letter names take sharps or flats to fit that pattern, and a key signature is a record of those sharps or flats.

On the piano

The keyboard shows the same four notes as a shape you can see. The coloured keys are the F major 7th arpeggio, the pale keys are the rest of F major, and you can click any key to hear it.

F major 7th arpeggio on the whole neck

48 notes of the F major 7th arpeggio are marked across six strings.

This is every place the notes of the F major 7th arpeggio fall on the DADGAD guitar, with each note's name and its scale degree. The roots are marked so you can find your bearings.

Position by position

Position 1 — starts on the 7

Position 2 — starts on the 1

Position 3 — starts on the 3

Position 4 — starts on the 5

The F major 7th arpeggio has four playable positions, at frets 2–6, 3–7, 7–11 and 10–14.

Each shape starts on a different degree of the scale and fits inside five frets, so your hand can play all of it without moving.

One climb up the neck

The climb runs from fret 3 to fret 22 and plays fifteen notes.

This is one path from the lowest root to the top of the neck, and it plays each note once, never on two strings. It takes a different number of notes on different strings. The widest stretch on any one string is five frets.