B dominant 9th arpeggio on ukulele

B · D♯ · F♯ · A · C♯

The course explains what this page shows in Lesson 7 · Sevenths.

The notes

  1. B1
  2. D♯3
  3. F♯5
  4. A♭7
  5. C♯2

The B dominant 9th arpeggio is B, D♯, F♯, A, C♯.

You may also see it called 1 3 5 ♭7 2.

On the staff

BC♯D♯EF♯G♯AB

On a treble staff, the B dominant 9th arpeggio is written B D♯ F♯ A C♯.

The solid notes are the B dominant 9th arpeggio. The pale notes are the rest of B mixolydian, the larger scale it is carved out of, so you can see which notes it leaves out.

Why the B dominant 9th arpeggio has these sharps

  1. B1
  2. 4
  3. D♯3
  4. T+S
  5. F♯5
  6. T+S
  7. A♭7
  8. 4
  9. C♯♯♯♯♯♯♯♯♯♯♯♯♯2
  10. -2
  11. B8

A scale is a pattern of steps, and this one is 4 T+S T+S 4 -2: 4, a tone and a half, a tone and a half, and so on. T+S stands for a tone and a half, which is three semitones. 4 stands for a step of four semitones. -2 stands for a step of -2 semitones. The pattern is what gives B dominant 9th its sound, and it stays the same whichever note you start on.

This scale has only five notes, so it does not use every letter. It is built on B mixolydian, and the notes it shares are spelled the same way as they are there.

The pattern still does not fit the plain letters. If you walk the pattern up from B, three letters cannot keep up:

  • D♯ — the third. The pattern needs 4 from B, but B to D is only a tone and a half, so D has to rise to D♯.
  • F♯ — the fifth. The pattern needs a tone and a half from D♯, but D♯ to F is only a tone, so F has to rise to F♯.
  • C♯ — the fifth. The pattern needs 4 from A, but A to C is only a tone and a half, so C has to rise to C♯.

None of those accidentals was a choice. Once you pick the note to start on, the pattern decides the rest, and a key signature is a record of the result.

The B dominant 9th arpeggio is written with D♯, F♯ and C♯, because the 4 T+S T+S 4 -2 pattern of steps cannot be spelled with plain letters from B.

The pattern of steps is the part of a scale that never changes. The letter names take sharps or flats to fit that pattern, and a key signature is a record of those sharps or flats.

On the piano

CD4EFG♭7A1BCD4EFG♭7A1BCD4EFG♭7A1BC2C♯3D♯5F♯6G♯A♯2C♯3D♯5F♯6G♯A♯2C♯3D♯5F♯6G♯A♯C3C4C5C6

The keyboard shows the same five notes as a shape you can see. The coloured keys are the B dominant 9th arpeggio, and the pale keys are the rest of B mixolydian.

B dominant 9th arpeggio on the whole neck

GCEA123456789101112131415A♭7B1C♯2D♯3F♯5A♭7C♯2D♯3F♯5A♭7B1C♯2D♯3F♯5A♭7B1C♯2D♯3F♯5A♭7B1C♯2D♯3F♯5A♭7B1

26 notes of the B dominant 9th arpeggio are marked across four strings.

This is every place the notes of the B dominant 9th arpeggio fall on the ukulele, with each note's name and its scale degree. The roots are marked so you can find your bearings.

Position by position

Box 5 — starts on the 2
GCEA23456789102135♭7213
Box 1 — starts on the 1
GCEA45678910135♭72135
Box 2 — starts on the 3
GCEA789101112131435♭72135♭7

The B dominant 9th arpeggio has three playable positions, at frets 2–9, 4–9 and 7–13.

Each shape starts on a different degree of the scale and fits inside five frets, so your hand can play all of it without moving.

One climb up the neck

GCEA4567891011121314151235♭71235♭71TAB4686911911141214

The climb runs from fret 4 to fret 14 and plays eleven notes.

This is one path from the lowest root to the top of the neck, and it plays each note once, never on two strings. It takes a different number of notes on different strings. The widest stretch on any one string is five frets.

The words on this page were written with the help of AI and may contain a mistake. Its diagrams are drawn by Everyfret’s own software. How Everyfret is made